Wednesday, November 9, 2011

a crazy thought




















Whoop Dee Doo is a Kansas City based artist collective which produces a faux children's television show.  They are unapologetically in your face, over the top and just plain ridiculous. The shows are usually themed and the sets and 'tv program' are created in collaboration with kids, artists and volunteers. Think talent show meets japanese game show. Think drag queens and r&b bagpipes.

It's just a thought but an episode of Whoop Dee Doo, on the apology could be humorous, relatively cheap (they employ affordable materials for their set) and used to activate the collaborative section of the exhibition. The set could be built over time through the exhibition, students and visitors could be asked to help, a show performed one or two nights, and the remains left for the rest of the exhibition. The collective is young and perhaps more used to working with small budgets than others on our list, yet not inexperienced. When the show travels, it is to my understanding the entire collective featured online does not usually go along.  

Just a thought. A crazy one.


Monday, November 7, 2011

Thinking about the 'Space' - Pictures from Friday's Meeting


20 Days of programming as exhibition
Wattis as three platforms
1 - Performance (Left Gallery)
2 - Talks and Cinema (Right Gallery)
3 - Workshop, Exhibition and Table (Upper Gallery)


Artists in groups under the platforms. 


Friday, November 4, 2011

Futurefarmers

Perhaps we should open a conversation for a project with the SF based Futurefarmers to create a work that functions as a space of performance and reflection on the subject.  Below is an example of a recent project for the Guggenheim.

www.futurefarmers.com

Dane 


Solomon R. Guggenheim Museum will present Intervals: Futurefarmers, the fourth installment of its contemporary art series designed to reflect the spirit of today’s innovative practices. For its Intervals project, the San Francisco– based art collective Futurefarmers is creating a site-specific installation on the Rotunda floor of the museum and organizing intimate participatory programs for the public in various spaces around the city of New York.
The exhibition is organized by David van der Leer, Assistant Curator, Architecture and Urban Studies.
The Leadership Committees for the Intervals series and Intervals: Futurefarmersare gratefully acknowledged.
Futurefarmers creates projects that are diverse both in terms of their production and their strategies of audience engagement. If anything typifies a Futurefarmers project, it is a balance of critical and optimistic thought with the use of inventive and pragmatic design elements. Recent works include antiwar computer games; an online registry of unused arable land sites in San Francisco that could be used for gardening and food production; and lunchboxes that incorporate hydrogen-producing algae. For the Guggenheim’s Intervals series, Futurefarmers is creating a ten-day “urban thinkery” centered around a shoemaker’s atelier consisting of a cobbler’s bench and shoe racks and installed in the Guggenheim Museum’s Rotunda. The atelier is an open interpretation of Simon the Shoemaker’s fifthcentury Athens studio in which Socrates supposedly had extensive philosophical discussions with Simon and local youth.
The Futurefarmers shoemaker atelier is the anchor for a series of off-site actions and events taking place throughout the city. Three Sole/Soul Sermons, commissioned by Futurefarmers and written and delivered by contemporary writers, will be offered in the atelier. The collective will also host intimate publicShoemaker's Dialogues with contemporary thinkers and participants in special interior and exterior spaces around the city, as well as conduct a series of Ink Gathering walks with special guests and small groups of enthusiastic visitors. During these walks, the groups collect sidewalk dirt, the main ingredient in a unique Futurefarmers ink that will be used to transcribe the Sole/Soul Sermonsand the Shoemaker's Dialogues for posterity in participatory urban actions called the Pedestrian Press. Three times during the project, passersby on the streets will be called upon to form the Pedestrian Press and help print the texts, using 36 specialized printing shoes, on long strips of paper that will be rolled out along New York sidewalks. Audio recordings of the Sole/Soul Sermons and the Shoemaker's Dialogues will be available for visitors at the two phone booths located on the ground floor of the Guggenheim Museum. Free newspapers listing the texts for the Sole/Soul Sermons and events and programs surrounding Intervals: Futurefarmers, will be offered on the Cobbler’s Bench in the Rotunda.